Another design influenced by the growth structure of bones, but in Bengtsson’s case, the form of the chair is preset, and a computer program determines the interior structure. The designer maintains control over the overall form, giving it a signature, and then the program is applied, which also gives the chair its ornament in a pleasing, biomorphic way. This is a fair compromise between real utility and decoration, as there is no reason for the chair to be solid, but a more efficient, lighter form could most likely be designed.
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